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Political anthropology' as the major contemporary importance in Deleuze's work.This work explores the significance of two recurring themes in the thought of Gilles Deleuze: his critique of psychoanalysis and praise for Anglo-American literature. Tracing the overlooked influence of English writer D.H. Lawrence on Deleuze, Rockwell Clancy shows how these themes ultimately bear on two competing 'political anthropologies', conceptions of the political and the respective accounts of philosophical anthropology on which they are based. Contrary to the mainstream of both Deleuze studies and contempora

Deleuze, Gilles, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- Delezi, Jier, --- دولوز، جيل

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Gilles Deleuze is now regarded as one of the most radical philosophers of the twentieth century. His work is hugely influential across a range of subjects, from philosophy and literature to art, architecture and cultural studies. Gilles Deleuze: Key Concepts brings together leading specialists from a variety of different disciplines to introduce the central concepts in Gilles Deleuze's work. The concepts Deleuze employs in his writings are key to understanding his philosophical approach: they work to unsettle particular bodies of knowledge, to open them up, and to link them to other concepts within and outside those bodies of knowledge. These short and accessible chapters each focus on a single concept and explain what the concept is and what it does. Among the concepts examined are assemblage, the fold, difference and repetition, cinema and desire. The contributors consider how the concepts engage, intersect, and link, and how they relate to other areas of postmodern thought. Gilles Deleuze: Key Concepts is aimed at a readership coming to Deleuze for the first time both from within philosophy and from outside the discipline. It offers an invaluable guide to reading Deleuze's challenging and important body of work.

Deleuze, Gilles, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Delezi, Jier,

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Deleuze, Gilles, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Delezi, Jier, --- Deleuze, Gilles, - 1925-1995

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In recent years, the recognition of Gilles Deleuze as one of the major philosophers of the twentieth century has heightened attention to his brilliant and complex writings on film. What is the place of Cinema 1 and Cinema 2 in the corpus of his philosophy? How and why does Deleuze consider cinema as a singular object of philosophical attention, a specific mode of thought? How does his philosophy of film combine and further his approaches to time, movement, and perception, and how does it produce an escape from subjectivity and a plunge into the immanence of images? How does it recode and utilize Henri Bergson's thought and Andr Bazin's film theory? What does it tell us about perceiving a world in images -- indeed about our relation to the world?These are the central questions addressed in Paola Marrati's powerful and clear elucidation of Deleuze's philosophy of film. Humanities, film studies, and social science scholars will find this book a valuable contribution to the philosophical literature on cinema and its pertinence in contemporary life.

Motion pictures --- Philosophy. --- Deleuze, Gilles, --- Philosophy --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Delezi, Jier,

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Deleuze, Gilles, --- Deleuze, G. --- Delëz, Zhilʹ, --- Dūlūz, Jīl, --- دولوز، جيل --- Deleuze, Gilles --- Delezi, Jier,